Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
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Physical Description |
88 sivua : kuvitettu, nuotteja ; 25 cm Julkaistu myös verkkoaineistona |
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Language |
English |
Language of Original Work |
English |
Item Description |
Taiteilijakoulutuksen tohtorintutkintoon liittyvä kirjallinen työ. |
Publisher |
Helsinki :
Taideyliopiston Sibelius-Akatemia,
2017.
|
Dissertation Note | Tohtorintutkinnon kirjallinen työ: Taideyliopiston Sibelius-Akatemia, DocMus-tohtorikoulu, 2017 |
Series | Est-julkaisusarja, ISSN 1237-4229; 34. |
Classification | |
Subjects | |
Manufacturer | Helsinki: Unigrafia |
Additional Information | Kirill Kozlovski |
Verkkoaineisto (PDF) |
978-952-329-069-3 |
ISBN |
978-952-329-068-6 nidottu |
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