Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
Shostakovich's Preface and Russian literary criticism : or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars – not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors – help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and – last but not least – verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich
Tallennettuna:
Ulkoasu |
88 sivua : kuvitettu, nuotteja ; 25 cm Julkaistu myös verkkoaineistona |
---|---|
Kieli |
englanti |
Alkuteoksen kieli |
englanti |
Huomautukset |
Taiteilijakoulutuksen tohtorintutkintoon liittyvä kirjallinen työ. |
Julkaisija |
Helsinki :
Taideyliopiston Sibelius-Akatemia,
2017.
|
Opinnäyte | Tohtorintutkinnon kirjallinen työ: Taideyliopiston Sibelius-Akatemia, DocMus-tohtorikoulu, 2017 |
Sarja | Est-julkaisusarja, ISSN 1237-4229; 34. |
Luokitus | |
Aiheet | |
Valmistaja | Helsinki: Unigrafia |
Lisätiedot | Kirill Kozlovski |
Verkkoaineisto (PDF) |
978-952-329-069-3 |
ISBN |
978-952-329-068-6 nidottu |
Hae kokoteksti |